Kotoko Review

Review of Kotoko (2011) by screenqueeen: 👍 5/5

HOOPTOBER 11 DAY 52 -21 DAYS REMAIN {EXTENSION GRANTED BY THE GREAT STATE OF TEXAS TO 10/31/24} {0 DAYS REMAIN IN CLEMENCY} {CLEMENCY REVOKED; HUNT UNDERWAY FOR OUTLAW} {SUBJECT MAY BE ARMED AND DANGEROUS} TITLE 32 OF 39

Tsukamoto can command any kind of story to make moments within feel dangerous no matter what is going on. Kotoko's split from reality offers a look into her innermost fears and the most horrifying imagery the film has to offer. But sometimes it creeps in as something else, developing into a relationship or a feeling that feels real and genuine but could very well disappear the next day without any evidence that what preceded it was ever authentic, except for the emotions developed during that time.

The kineticism on display is masterful (the entire film is shot handheld) and puts you right into Kotoko's headspace, trusting her to prove to you what she believes to be real and brings you to her side instantly. Her belief that when she sings reality is the most grounded brings us into this beautiful true reality that contains the most wholesome and heartwarming parts while Cocco's incredible musical talents are spotlighted at the same time.

Only Tsukamoto can cast himself as a writer, referencing BULLET BALLET as a novel his character wrote and making his effort feel so humble while his screen presence fully supports Kotoko's struggle both on and behind the camera. The finale is breathtaking and manages to wrap the film into a conversation that other filmmakers just cannot manage when mental illness in horror becomes a focus. It's respectful and beautiful. Tsukamoto is a gift to the world.